One of the first women ever to receive the ill-starred title ‘Queen Of Rock ‘n’ Roll’ from Rolling Stone magazine, Stevie Nicks’s long career in the music business has mirrored its own progress from Summer of Love innocence to corporate experience. Going from folky idealism to mainstream success (and excess) as part of troubled behemoth Fleetwood Mac, she emerged as a solo artist in the ‘80s with a series of solo albums which trod a fine line between inspired and naff.
Crystal Visions is Nicks’s third career retrospective in just over a decade and, while it seeks to avoid repetition by mixing familiar hits with newer and live material, the result feels oddly compiled. Dating from a time when age and a combined cocaine and synthesisers habit had started to turn her kittenish voice into a rasp, ‘Edge Of Seventeen’, ‘Stand Back’ and ‘Rooms On Fire’ mould thrilling music from the unmalleable clay of soft rock. More recent efforts such as ‘Planets Of The Universe’ and ‘Sorcerer’ feel joyless in comparison, however, swapping fuck-you self-importance for her rather chewy brand of earth-mother songwriting.
The value to fans of live and re-recorded versions of Nicks’s classics is also a mixed blessing. The addition of Mac songs ‘Rhiannon’ and ‘Dreams’ may be a welcome reminder that few artists could be as haunting, but it also suggests that the multi-songwriter line-up that caused so much personal tension within Fleetwood Mac made for better quality control than Nicks ever showed on her own. ‘Dreams’ makes it onto the disc in its 2005 re-recording with Deep Dish, which ditches the original’s mystery and sensuality in favour of a limp trance makeover. ‘Rhiannon’ fares better, however, in an extended live version which shows that, while she might have lost more than a few top notes, Nicks is still capable of putting on a good show.
Now that vast tranches of ‘80s rock are seen as little more than legends disgracing themselves before they ‘rediscovered their roots’ or a ready source of ironic samples, it would be easy to dismiss Stevie Nicks as an icon of bloated times. Yet for all the attendant self-indulgence, her voice, talent as a writer of memorable pop songs and determination to equal the genre’s big boys — instead of singing backup for them — marks her out for posterity. Her influence on artists as diverse as Courtney Love, Destiny’s Child and The Dixie Chicks shows her mettle, even if this compilation doesn’t.
Completists will appreciate the live recordings and various video clips bundled with Crystal Visions‘ bonus DVD. Everyone else, scour the bargain bins for her infinitely better ‘best of’, Timespace.
[Reprise; September 24, 2007]