Filed under: album, review, video | Tags: 2009, elyse cain, gliss, music, victoria cecilia
Gliss
Devotion Implosion ••••
Cordless
Released in the US back in April, this second album from LA-based trio Gliss stays safely within pre-established genre boundaries while creating a stylishly dense and seductive collection of songs. Multi-instrumentalists Victoria Cecilia, Martin Klingman and David Reiss continue their trend of seamlessly trading tools and vocals throughout the album, making for a surprisingly varied yet steady pace. Toe-tapping from start to finish, Devotion Implosion rarely goes too far in either the up or down tempo direction, preferring instead to maintain an air of cool sophistication. The nearly impossible to decipher vocals gently float through the songs like an accompanying instrument, forming the centrepiece of the music rather than anything so conventional as lyrics.
Filed under: album, review, video | Tags: 2009, elyse cain, music, piney gir
Piney Gir
The Yearling •••½
Hotel
Yank turned Brit, Piney Gir tips a hat to her Midwestern upbringing in her latest release, The Yearling. Using her effortless Kansan charm, Piney (real name Angela Penhaligon) spins yarns of relationships and heartbreak with a deceptively cheerful tone. Blessed with a mighty fine voice and compositional chops, her latest effort is, on the whole, a deftly entertaining one. The album, almost twee in tone, is winsome and lovelorn even as it flashes a winning smile. Playfully combining genres and eras, Penhaligon fits in nicely with acts like The Ditty Bops, Madeline Adams, or a twangier version of The Softies. Throughout her career, she has leaned towards the lo-fi or DIY end of things, of which The Yearling is a perfect example; here, production duo ‘The Age Of Reason’ enlist the use of creaky doors, tupperware containers and even bees to help create the various textures.
Filed under: album, review, video | Tags: 2009, elyse cain, music, romy madley-croft, the xx
The XX
XX ••••
Young Turks / XL
Hailing from southwest London, the four members of The XX may have only just squeaked past their 20th birthdays but their music is honest and perceptive to a level few artists, even those twice their senior, ever manage to reach. Perhaps one reason is the band’s insistence on simplicity; from the lyrics to the production, every unnecessary thought or sound is stripped away, leaving raw, unprotected songs that have no fancy tricks or bombastic measures to hide behind. Recorded in the back room at their label’s West London office, often late at night after shifts at their day jobs, the noise of passing trains and sirens are still audible, further underlining their commitment to a no-frills production.
Filed under: album, review | Tags: 2009, bird talk, care bears on fire, chores, claire robinson, elyse cain, music, rhian jones
Bird Talk
No Bird Left Behind ••½
Self-released
Formed in 2007, Bird Talk are two girls and two boys who play indie-rock that draws on new wave, punk and lo-fi dance styles to create a sound that bears a passing similarity to the likes of Los Campesinos! and the harder-edged side of Tilly & The Wall. Available at a price of your own choosing, their debut album No Bird Left Behind shows great potential that’s sadly never quite realised. Lead vocals are half sung, half spoken by Melissa ‘Jumpy’ Marquez over the thrust of a capable rhythm section from Jacco Kuipers (bass) and Anthony ‘Shimby’ McCreery (drums), but it’s the addition of Emily Engelhard on keyboards that adds depth to these songs – her sweet and often swinging interjections neatly contrasting the harshness of Marquez’s bark.
Filed under: album, review | Tags: 2009, all of your friends, barnaby bright, bird, claire robinson, elyse cain, janie price, music, rhian jones
All Of Your Friends
All Of Your Friends Are Dead ••••
The Calm Before The Music
All Of Your Friends are a group of five pals from Winnipeg who have gathered together once a week since 2006 to play music. All Of Your Friends Are Dead is the product of these meet ups, a self-recorded album of songs that simply tell stories of being and having friends. They’re calling it “sociopop”. And just like real friends, they’re giving the album away for free.
Filed under: album, review | Tags: 2009, australia week, elyse cain, music, rachael brady
Read the rest of our Australia Week reviews here.
Rachael Brady
Somewhere Sunshine •½
Motherwort Music
Look up ‘evangelical’ in the dictionary and you will find that one of the definitions is “marked by ardent or zealous enthusiasm for a cause.” It’s why anyone who too fervently takes a stand on an issue can quickly wear away at your patience, no matter how noble the cause. It is also the reason why evangelical seems to be the best word to describe Rachael Brady’s second album Somewhere Sunshine. While her affections do not necessarily lie with Christian beliefs, they can be annoyingly zealous to a fault.
Filed under: album, review, video | Tags: 2009, australia week, elyse cain, music, the grates
Read the rest of our Australia Week reviews here.
The Grates
Teeth Lost, Hearts Won •••½
Dew Process
Confidence does not seem to be an issue for Aussie trio The Grates. Finally getting an international release after being out in Australia for nearly a year, Teeth Lost, Hearts Won sees singer Patience Hodgson, drummer Alana Skyring and guitarist John Patterson boldly attempt to expand their musical palette without destroying all they’ve built together as a band. They are at their most successful in this venture when their innately innocent, enthusiastic and unique approach to melody takes hold of the reins, leading to an ever-changing kaleidoscope of bright sounds and distorted guitars. A soaring-trill of flutes proudly leads off the wildly energetic opener ‘Burn Bridges’, signalling the tone of the rest of the album. By contrast, their weakest moments are often when those sounds are tamed to the point of power-pop mediocrity.
